Celebrating twenty-five years of Royal Academician Emma Stibbon’s magnificent prints her exhibition at Rabley Drawing Centre continues until 21 December.
“Stibbon …draws from the printmaker’s prosaic materials images which are marvellous and compelling, images which expand our imagination and leave us awe-struck” Gill Saunders, Senior Curator (Prints), V&A Museum
A beautiful fully illustrated book ‘Emma Stibbon, Territories of Print 1994-2019’ is also available to accompany the exhibition (£30) available from via our website Rabley Publications , in the gallery or at the Royal Academy of Arts shop.
Emma Stibbon is ‘artist as witness’ to our landscape and environment on the cusp of change: polar regions; volcanoes; deserts; coastal and urban. Through the alchemy of printmaking Stibbon envelops us in her experiences with monumental woodcuts and tactile intaglio prints, where volcanic ash is embedded into the printing plate. There is a seriousness that underpins this endeavour; a combination of craft and emotion that is questioning, raw and unflinching.
EXHIBITION OPENING TIMES
Thu – Sat 10-5
Sunday opening 8 December 11-4
And by appointment
In Tom Hammick’s upcoming exhibition Island Life, images of Henry’s Cabin and the walled utopian garden of Sky Island glow under the same moon as his new woodcut prints inspired by Benjamin Britten’s Sea Interludes. His surreal landscapes evoke feelings of solitude alongside a deep interconnectivity where consciousness looms just over the dream horizon. Hammick’s images are often metaphors for the human condition; reflecting states of mind, transience, fragility and awe. Continue reading →
Rabley Contemporary is hosting a serene and tranquil show of drawing and ceramics by Nicholas Lees and Jeff Powell. The first few minutes spent with the finely crafted works provides the visitor with impressions of shifting light and ephemeral glimpses of forms, redolent of fleeting recollections. Take a little more time and each piece reveals itself as a complex engagement with materials exploiting the possibilities and boundaries of the hand-made. Lees has produced a series of porcelain vessels which defy concepts of solidity Continue reading →
The Precious Hours 2017, Collagraph and block print on paper, 92 x 71 cm, Edition of 25
The Precious Hours is an exhibition of new prints and works on paper by Katherine Jones, Rabley’s artist-in-residence 2016-17 and runs from 17 March – 28 April 2018 at Rabley Gallery, Wiltshire.
During her residency Katherine Jones travelled down to Rabley Home Farm from her home in London on a monthly basis. Katherine was able to witness the seasonal changes on the farm as well as more formal changes such as the sale of the dairy herd, which marked a fundamental shift for the farm. She has not attempted to document these changes straightforwardly, rather, the relative space and minimalism of the cultivated landscape in contrast to the squeeze of the urban environment; the differences in scale; the bittersweet nature of farming and our larger changing environment have been the catalyst to the new work. Continue reading →
Fred Gatley, ‘The Rabley Series’ Porcelain bowl with cast bronze base (Rabley inclusions)
For over thirty years Fred Gatley has been carefully incorporating found materials within his pieces, many of these introduced into the clay bodies themselves. Sands, silts, muds, brick fragments, stones and rusting iron have all been used, combined with drift woods and even waste copper scraps, all of these bringing to the work their own story and location.
In ‘The Rabley Series’ Fred has responded to the landscape and environment of Rabley Home Farm, a working arable farm set in the ancient Wiltshire downs. The landscape throws up echoes of its history including fragments from the Neolithic, Iron and Roman ages together with the everyday chips of a contemporary working farm. Continue reading →
Everyone Is A Moon is an exhibition of new work by artist and printmaker Amy-Jane Blackhall that takes the form of an immersive sculptural installation.
Blackhall’s work emerges from her fascination with the concept of interconnectedness, through the physical and spiritual act of making, particularly the repetitive nature of print.
Underlying structures are central to her imagery; derived from sacred places, she frequently references archetypal symbols, Oriental art and Eastern ideologies. Recurring themes in her work reflect on how the universality has a strong aesthetic appeal transcending space and time, language and culture.
A large lunar abacus takes centre stage. A familiar childhood object used for counting now holds hand blown glass moons positioned to mark the lunar phases of 2017. Casting it’s own shadow and reflection in the mirror moon it exists beyond it’s framework; as the audience orbit the space they can’t help but interact and engage.
Accompanied by a series of prints made from solar plates there is an emphasis on the comfort in the cadence and repetition of ongoing cycles that both anchor and elude us.