RABLEY GALLERY AT THE LONDON ORIGINAL PRINT FAIR 2019
25th – 28th April 2019
During the coming weeks I will be highlighting the artists and the monoprints we will be exhibiting at the London Original Print Fair in April 2019. For more information about the work of Katherine Jones or visiting the London Original Print Fair please contact the gallery – email firstname.lastname@example.org
Rabley Gallery will be exhibiting new works focusing on monoprints. The quality of these prints brings a fresh vibe to the artworks and offers a more unique and experimental field of play for the collector and for the artist as they develop series of imagery. The monoprint, unlike the monotype, is one of a series, so it is not completely unique. Monoprints are often thought of as variations on one theme.
ARTIST in FOCUS
CLOUD AND CUMULUS SERIES
Monoprints and Collagraph & Block Prints
Katherine Jones ‘Cumulus’ Monoprints V-VIII, 2019 20.5 x 17cm
Our wonderful exhibition ‘Katherine Jones – The Precious Hours’ may have ended but if you didn’t make it then we will be showing Katherine’s work at this year’s London Original Print Fair at The Royal Academy of Arts. There will also be an exclusive launch of a limited edition etching by Katherine – ‘The Freedom of Clouds’ especially for The Young Collectors evening on Thursday 3rd May (Rabley Stand 24) when Katherine will be there to meet and discuss her work.
Katherine Jones ‘The Freedom of Clouds’ 2018 Etching and Block Print Paper 19 x 24cm Block 9.6 x 14.6cm Edition of 15
We are delighted to announce the launch of two new Nana Shiomi Woodcut prints at this year’s London Original Print Fair. Nana Shiomi ‘A Room of One’s Own – Still Life’ and ‘A Room of One’s Own – Seasons’
Nana Shiomi ‘A Room of Ones Own – Still Life’ 2018, Woodcut
Tom Cartmill was winner of the SKETCH 2017, Rabley Print Edition Prize and we are delighted to present his new publication ‘A Fragment’ at the London Original Print fair. This work is the culmination of the project that has enabled him to translate his beautiful drawing into an intaglio print.
Tom Cartmill, A Fragment 2018, Intaglio, 46.5 x 57.5 cm, Edition of 25, £325
The ‘Fragment Series’, with clear connotations of remnants, remains, what has been left, references the fact that by its nature our memories, our understanding of people, places, concepts are far from complete. However much we toil in our understanding, or how adeptly we master skills, we do not achieve completeness. The nature of working as an artist is necessarily a searching, a piecing together, a process of discovery from uncertain territory. Notions that Cartmill finds ‘encapsulated in a fragment’. “I often have in mind TS Eliot’s ‘Four Quartets’ where in East Coker he dwells on the nature of creativity as an endless working towards recovering ‘what has been lost'”.