SARA LEE
Beckoning Lines
Sara Lee’s sublime works on paper are currently on show in the gallery. One of The Guardian’s top five shows to see. Don’t miss it!
Exhibition Open
(Thu – Sun) May 23 / 24 / 25 / 26
(Thu – Sun) May 30 / 31, June 1 / 2
10.30 – 5pm
And other times by appointment
Image above: Installation of Sara Lee’s exhibition ‘Beckoning Lines’ at Rabley Gallery
SARA LEE
Beckoning Lines
Saturday 25 May
Sara Lee’s sublime works on paper have been installed in the gallery ready for the opening next week and we are delighted to be hosting a private view event on Saturday 25th May between 2.30–4.30pm
Exhibition Open
(Thu – Sun) May 23 / 24 / 25 / 26
(Thu – Sun) May 30 / 31, June 1 / 2
10.30 – 5pm
And other times by appointment
Image above: Installation of Sara Lee’s exhibition ‘Beckoning Lines’ at Rabley Gallery
Tom Hammick ‘Henry’s Cabin, Walden Pond’ 2018, Edition variable reduction woodcut,121 x 155 cm
In Tom Hammick’s upcoming exhibition Island Life, images of Henry’s Cabin and the walled utopian garden of Sky Island glow under the same moon as his new woodcut prints inspired by Benjamin Britten’s Sea Interludes. His surreal landscapes evoke feelings of solitude alongside a deep interconnectivity where consciousness looms just over the dream horizon. Hammick’s images are often metaphors for the human condition; reflecting states of mind, transience, fragility and awe. Continue reading
Neil Bousfield ‘With Whom Their Love is Done (Spring Offensive)’ 2018, Engraving, 53 x 36.5 cm, Edition 40
Wilfred Owen
It is exactly one hundred years on Sunday 4th November 1918, since the war poet and soldier Wilfred Owen was killed by machine gun fire while leading his men across the Sambre-Oise, just one week before the signing of the armistice marking the end of The Great War.
To commemorate, we are launching a specially commissioned portfolio of limited edition engravings by Neil Bousfield. Neil was commissioned by the Folio Society to make a body of work to accompany a new publication of Wilfred Owen’s poetry, published to mark the centenary of Owen’s death and of Armistice Day. Continue reading
We are delighted to announce the exclusive launch three new print publication by artist Emma Stibbon RA at the London Original Print Fair 2018.
EMMA STIBBON RA
Dead Horse Point, 2018, Intaglio, 38 x 96 cm, Edition of 35
The Precious Hours 2017, Collagraph and block print on paper, 92 x 71 cm, Edition of 25
The Precious Hours is an exhibition of new prints and works on paper by Katherine Jones, Rabley’s artist-in-residence 2016-17 and runs from 17 March – 28 April 2018 at Rabley Gallery, Wiltshire.
During her residency Katherine Jones travelled down to Rabley Home Farm from her home in London on a monthly basis. Katherine was able to witness the seasonal changes on the farm as well as more formal changes such as the sale of the dairy herd, which marked a fundamental shift for the farm. She has not attempted to document these changes straightforwardly, rather, the relative space and minimalism of the cultivated landscape in contrast to the squeeze of the urban environment; the differences in scale; the bittersweet nature of farming and our larger changing environment have been the catalyst to the new work. Continue reading
Rabley Drawing Centre
Mildenhall
Marlborough
SN8 2LW
www.rableydrawingcentre.com
events@rableydrawingcentre.com
01672 511999
Thurs 30 – Sunday 3 July
11 – 4pm
EVENTS
Private View
Wednesday 29 June 6 – 8pm
http://www.rableydrawingcentre.com/index.htm
New Publication from Rabley Editions by Jane Harris
JANE HARRIS
Gleamers, Bronze, Diptych 2016
Woodcut, Two Prints 35 x 35cm, Diptych size 35 x 73.5cm
Printed on 270gsm Somerset Velvet from 4 blocks.
Edition 30, Published by Rabley Editions May 2016
JANE HARRIS
Gleamers, Silver, Diptych 2016
Woodcut, Two Prints 35 x 35cm, Diptych size 35 x 73.5cm
Printed on 270gsm Somerset Velvet from 4 blocks.
Edition 30, Published by Rabley Editions May 2016
http://www.rableydrawingcentre.com/drawingsandprints/artist/gallery/432/jane-harris/print
The story of the prints
In Spring 2016 Rabley Drawing Centre welcomed Jane Harris for her first solo exhibition in the gallery. Her response was ‘Separate Arrangements’, a collection of new works on paper. This series of drawings included elliptical pools of intense watercolour with the burnished black of graphite.
16 – 18 October 2016
LONDON
Stand 13
New Editions
Multiples
Jennie Norman
Jo Taylor
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