Card Printing by Nik Pollard

Featured

Card Printing. The print (left) and the card plate (right)

Introduction

Card printing is a simple inexpensive method of printmaking that can be used alone to make simple designs/images or combined with other printmaking or painting processes. The basic nature of this printmaking process allows it to be easily adapted and developed to create a range of results. It can be used as a bridge between drawing and printmaking.


Materials

  • Card (provided) or cereal packets
  • Ball-point pen
  • Rollers x 2
  • Wooden spoon
  • Ink

Method

1. Draw your image/design on the white side of the card (when using a cereal packet, the printed side).

2. Add further marks to your image/design using a ball-point pen – pressing hard! This is important as the pen will create a groove that, when printed, will produce a negative line.

3. The next stage is cutting out the image/design. It is important to remember that the cut edge is itself a part of the design. You can either: faithfully follow your drawn lines; cut the card into a different shape around the image/design – or a combination of both.

4. Ink the card plate using a roller, taking care not to damage it, especially if your image/design has any intricate pieces. The ink does not necessarily have to be applied evenly; this is equally a part of the creative process as the initial drawing itself.

Note: At this point you can see the negative lines. Any that have filled in can be re-drawn using the ball-point pen.

5. With the ink side facing upwards, carefully place the paper on to the card plate. Hold in position with one hand whilst burnishing/rubbing the back of the paper. For this, a roller, wooden spoon or the ball-point pen can be used – each will produce a different result.

Note: Throughout this stage it is a good idea to have a look now and then, to check how the print is transferring, remembering to keep one hand holding the paper in position.


Further Information and Suggestions

o The weight of the paper that you choose to use can vary, bearing in mind that thicker paper requires more pressure when hand burnishing.
o Instead, or as well as the roller, a brush can be used to apply the ink to the card plate. The brush marks add another dynamic that works well as a foil to the cut edge of the plate.

Suppliers

General print supplies: Ink, drypoint plastic, paper, tools, rollers etc:
https://intaglioprintmaker.com
https://www.lawrence.co.uk

Download Documents

Table top Print Projects have been written by the Rabley Drawing Centre tutors for Rabley printmakers. They are free for anyone to use and we have included useful supplier links. All images and texts are copyright of Rabley Drawing Centre CIC and the authors. We plan to launch have new project each Monday for the coming weeks.


Review

More brilliant prints from Rabley Printmaking students – keep making and sharing!

www.rableydrawingcentre.com

NEXT TABLE-TOP PRINT PROJECT > MONDAY 6 APRIL

Plaster Bandage Cast for Intaglio and Monoprint Printing by Meryl Ainslie

An inked drypoint plate and a plaster bandage cast print.
Inked drypoint plate (left) and plaster bandage cast print (right)

Introduction

Plaster bandage or ‘modrock’ will take print into the surface of the plaster from an inked intaglio, drypoint or monotype plate using oil based inks. This is a great method for printing a plate without a press.


Materials

  • Drypoint/monotype plate for making image (supplied)
  • Plaster bandage (supplied)
  • Oil based printing ink
  • Scrim (supplied)
  • 1cm of water in a shallow dish
  • plastic sheet or tray to work on

*do not wash plaster down your sink as it will block the drain!!

Method

1. Make your image onto the drypoint plate (not shown) – this could be either a monotype or a drypoint, or a combination of both.

2. Ink the plate ready for printing as you would if you were using an etching press.

drypoint plate – inked and ready for plaster cast printing

3. Place your printing plate onto a plastic sheet

4. Put water into a tray and dip a piece of the bandage quickly into the water, shake off drips.

5. Lay bandage onto the plate and smooth.

6. Add a second layer of bandage in the same way and smooth and gently cream the plaster with your fingertips.

7. Leave to set for at least 30 minutes without disturbing.

8. 30 minutes later

9. Gently lift the plastic plate away from the plaster print

10. Leave to dry.

Further Information & Suggestions

• Use coloured inks when inking up the plate.
• The dry plaster surface of the print can be gently sanded to remove areas or alter the image.
• Draw onto your print with a pencil or crayon – the smooth plaster is a lovely surface.
• Add 3D elements to your plate before printing with plasticine – these will cast indented shapes or patterns.


Suppliers

Modrock – plaster of paris bandage

General print supplies: Ink, drypoint plastic, paper, tools, rollers etc.


Download worksheet


Table top Print Projects have been written by the Rabley Drawing Centre tutors for Rabley printmakers. They are free for anyone to use and we have included useful supplier links. All images and texts are copyright of Rabley Drawing Centre CIC and the authors. We plan to launch have new project each Monday for the coming weeks.


Review

We’ve had an amazing response to our first table-top project. Thank you everyone who participated and shared their experience. Here are a few photos of students’ fantastic table-top creations…

Table Top Project 1 – Student Slideshow – Plaster Bandage Cast for Intaglio and Monotype

NEXT TABLE-TOP PRINT PROJECT > MONDAY 6 APRIL

www.rableydrawingcentre.com

RABLEY PRINTMAKERS TABLE TOP PRINTING PROJECTS

Hi Printmakers

In the spirit of keeping connected, happy and making the team at RABLEY DRAWING CENTRE Amy Jane Blackhall, Nik Pollard and Meryl Ainslie have put together a plan!

We have devised 6 Tabletop Print Projects for our regular Rabley Printmakers and we thought it would be welcomed to make these live and free to everyone! – so follow this blog and our instagram #rableydrawingcentre to keep posted and connected!

There will be a new project each Monday for the next six weeks. We hope that you will enjoy them, they are just for fun and to introduce a few new ideas to keep your practice fresh and lively! We have had fantastic support from Sara Lee, Katherine Jones and Sadie Tierney, who are all going to make contributions over the coming weeks.

Each workshop will include an introduction, materials, demonstration videos, suppliers links. Printmakers will already have many items in the studio or kitchen!

Planning the Rabley Table Top Print Projects

Lucy Farley – New Artist in Residence at Rabley Drawing Centre 2020

Lucy Farley in the studio at Rabley Drawing Cemte, February 2020

Meryl Ainslie, Director of Rabley Drawing Centre in conversation with Lucy Farley, their new artist in residence 2020. Lucy will be working at Rabley Drawing Centre  during four visits throughout the year.

Lucy Farley is a painter and printmaker, she researches the stories that underpin a place and inspire her work. She has a Danish mother and English father. She recalls the dark and spooky Nordic tales her Grandmother told her as a child. And here her story starts…

Lucy Farley Savernake series proof 2
Lucy Farley Savernake series proof 3

“I didn’t know about the Savernake Forest before I came here. There was a random connection from an Australian friend who told me about the stories and legends of the Forest. So I started to draw from these ideas about the ‘headless horse woman’ of the forest. I made lithographs at London Print Studio, printed onto Japanese paper and  working with a horse shape. These are some of the collaged elements I have been using in the print studio at Rabley. 

There is an eye in the oak in the forest called the king of limbs’ – this motif has also inhabited the images this week. Back in my London studio I will be editing and making  more research and reading and readying for my next exciting visit.

Being in the Rabley studio there is a connection to landscape. I can see the edge of the Savernake Forest out of the window. It’s a stark contrast to my London Studio and a breathing space, calming and vast. It is so quiet – I can mull the questions without interruption.” LF Feb 2020

Lucy making the most of the space and studios at Rabley – she will also being inspiring others along the way…..

She will be returning throughout the year  – follow our blog or instagram @rableydrawingcentre

Works in progress include a series of collages 

Video of Lucy printing her first proofs coming soon!

New Collaboration

NEW COLLABORATION

Artists Helen Barff and Katherine Jones are working together to create a collaborative piece for the upcoming show at Rabley ‘The Faraway Nearby’ that opens in March. The exhibition takes inspiration from Rebecca Solnit’s book ‘The Faraway Nearby’ and explores intimate distance, memory and the stories that connect us. Watch this space!

 

London Art Fair 22-26 January 2020

22-26 January 2020

RABLEY GALLERY Main Fair STAND 12

View our London Art Fair listing

New works on paper by

Eileen Cooper RA Sisters 2019 Charcoal and pastel on paper 102 x 89 cm (40 x 35 ins)

Eileen Cooper RA

Peter Randall Page RA

Rebecca Salter RA

Emma Stibbon

Sara Lee

Nicholas Lees

Prudence Ainslie

Neil Bousfield

Ian Chamberlain

Katherine Jones

Sally Taylor

More Information on ARTSY https://www.artsy.net/show/rabley-contemporary-rabley-contemporary-at-london-art-fair-2020

Nicholas Lees Blue Floating Bowls 2020 Porcelain
13 x 12.5 cm (5 x 5 ins)

For fair tickets and gallery enquiries please contact Meryl Ainslie

E   meryl@rableygallery.com

T   01672 511999  M 07967545136 (during fair)

London Art Fair Information:

Website: londonartfair.co.uk

Location:

Business Design Centre

52 Upper Street

London N1 0QH

Contact:

T: +44 (0)20 7288 6736

E: laf@upperstreetevents.co.uk

#londonartfair #rableygallery #collectart #worksonpaper #drawing